独领风骚

故事是个好故事，可惜导演没讲好。
贯穿于影片的大段的独白，告诉观众剧情的推进，坦白得让人心生厌烦，尤其是cher突然发现原来自己爱上Josh那一节，真是莫名其妙的很，虽然之前已经猜到这样的发展，但是没想到竟是借着暴走购物加恍然大悟的自白及烟花来表现的。
幸好Alicia Silverstone实在很美，Paul Rudd的温柔气质又是我的最爱，才坚持再坚持的看了下去。
很难把这里的邋遢小姐和Brittany Murphy 联系在一起。

有两段印象深刻：

1. Tai和Cher评价Amber

Tai：Do you think she is pretty
Cher:No, she is a Monet
Tai: What is a Monet
Char:It's like the paintings, see? From far away it's OK, but up close, it's a big old mess

2. Tai去Cher家吃饭,坐在正中的位置上,Cher向过来的父亲介绍Tai

Cher：Hi Daddy， This is my friend Tai。
Dad: Get out of my chair！
Tai灰溜溜地爬到旁边的椅子上...

Title: Clueless
Year: 1995
Country: USA
Language: English
Genre: Comedy, Romance
Director/Writer: Amy Heckerling
Music: David Kitay
Cinematography: Bill Pope
Cast:
Alicia Silverstone
Brittany Murphy
Paul Rudd
Stacey Dash
Dan Hedaya
Justin Walker
Jeremy Sisto
Breckin Meyer
Donald Faison
Elisa Donovan
Wallace Shawn
Twink Caplan
Julie Brown
Rating: 6.6/10



Transposing Jane Austen’s EMMA to Beverly Hills, Amy Heckerling’s 90s chick flick CLUELESS was a sleeper hit upon its release, spawned one less toothsome TV series, and has charmed its way with a cult following ever since.

What quintessentially demarcates this one from the derogative genre’s other huge supply of glops? It must be its attitude, which is devoid of self-importance in spite of that the whole picture is built upon a milieu predominantly reeks of snobbery and superficiality, ornamented by a pleasurable dosage of self-mockery.

Our heroine is Cher (Silverstone), a 16-year-old high school girl seems to be privileged of everything (beauty, youth, wealth and sagacity: knows how to give a wide berth to her inane male peers and more than willing to save her virginity for the one she will fall in love with), who has an unusual down-to-earth streak and all she wants is to be a Good Samaritan, plays match-maker to her two teachers, and determines to help an awkward blow-in Tai (Murphy) to gain popularity, and her BFF Dionne (Dash) is also on board.

An unmistakable girl-power through-line sails alongside the film’s polymorphic themes, ranging from adolescent crush (on a friend of Dorothy, a very spunky move to inject a positive vibe to the often sidelined minority), “he is not that into you” misunderstanding, chirpy school rivalry (a wonder at then where bullies are excluded within the context), to realize what/who a girl really wants (a corny epiphany under the fountain sending a homage to GIGI, 1958). A hiccup will duly arise, girls will squabble, but at the end of the day, for Cher, friendship is the real deal, in company with finding her Mr. Right (of course, no high-schoolers).

The recurring gag of “as if” might now sounds like a flea in the ear for all its affectation, but understandably, that also underlies its appeal, a spoiled blondie’s unashamed mannerism nonetheless, the whole scenario is lubricated by a good-natured cause and propelled by a crescendo of emotional honesty, you have the irony, humor and eye-candies in one combo! Two decades on, it is somewhat bemusing that Alicia Silverstone hasn’t catapulted into the A-list à la Emma Stone (nor is she led up the garden path à la Lindsay Logan either), her career would stick in a limbo ever since that ill-fated BatGirl offer. She has that “it” girl look and sweetness, and plies her shallow character with unstinting ammo of assurance and cutesy allure. The late Brittany Murphy, in her second film credit, also carries off an effervescent mien as the ugly duckling, a tad barmy, but not a shrinking violet steeped in lament.

Definitely capturing the teen spirit of 90s in America’s posh sphere, and thanks to a cunning maneuver of its time-honored source story, CLUELESS is high on wishful romanticism and low in adolescent toxin, harmless refreshment to a weary soul.

referential points: Douglas McGrath’s EMMA (1996) 7.1/10; Vincente Minnelli’s GIGI (1958), 6.6/10; Will Gluck’s EASY A (2010) 7.2/10; Mark Waters’ MEAN GIRLS (2004) 6.8/10.